award winning book

Villains are People, Too

  Quick, name your favorite horror villain. The haunted house in Amityville Horror? The zombies in World War Z? The shark in Jaws? That might be a tough question because, often, the villain in horror is a mindless force of nature or so abstract as to be faceless. Sometimes that works well because mystery is a big part of horror and showing too much about the villain can diminish the dread. If there’s an unusually great premise or protagonist to carry the weight of the story and provide interesting developments throughout, an archetypical or simplified villain may be all that’s needed. When the villain is a real, identifiable individual, however, horror stories often stoop to tired motivations, resulting in a one-dimensional villain who lacks any real motivation and is just evil for evil’s sake. Whether it’s a cackling, mustachioed baddie bent on world domination or just an evil capitalist happy to pave over gentle nature as part of a real estate project, thinly-written villains make for a dull story. In contrast, who’s the most famous of all horror villains? Dracula would certainly be a strong contender . . .  as would Hannibal Lecter, his modern-day counterpart (who prefers food he can…

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A walk deep into the woods

By Harmony Kent Have you ever walked deep into the woods while the ground mist swirled around your ankles and hid your feet? Or had the snapping of a twig raise the hairs on the back of your neck, as you realize you’re not quite as alone as you thought? All of these evoke the nostalgia of childhood Halloweens, where a chill of fear would run up my spine on a cold winter eve until I reached the warmth and sanctuary of the next brightly lit house. Trees have always held a special place for me. Mostly, they feel benign. Indeed, I remember with fondness one particular Willow that used to offer me shelter and a place to hide. I could spend hours beneath those floor-hanging bows. Some trees, however, have an altogether ‘other’ feel about them. On many an occasion, while out walking alone, I’ve stumbled across a deep, dark part of the woods that feels nothing other than menacing. An old gnarled Oak, in the right conditions, can take on the appearance of some ancient predator. One Halloween, as a young and impressionable child, I saw a horror movie—Watcher in the Woods, starring Bette Davis—that scared me silly…

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Copy-Editor- do we need one?

By Award Winning Author Elisabeth Marrion-B.R.A.G. Medallion Honoree You finished your latest masterpiece. Ready to press the publish button? No, wait, hold it there, just for a minute. Have you read and re-read? Did you do so on your computer, or did you print a copy? Printing out a copy is always a good idea, if you can do that. It really is easier to spot mistakes on a printed sheet. Have you been lucky, or brave enough, to have it beta read? Most of us have written more than one book. Do we, by now, have an inkling as to what will be best for our work to shine above the rest? Cost, as always, will be a factor. Proofreading is a must and can be costly. I, at one time, received some really bad advice on how to save on proofreading costs. A mistake I will not repeat. But do we need the extra expense of having the manuscript copy-edited? And bear in mind, that your copy-editor might suggest some changes. Or, worse still, suggest to delete certain sections altogether. This is your work, every word thought about, and the story carefully crafted. And now? A total stranger…

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Getting out there …

By G.J. Reilly-B.R.A.G. Medallion Honoree  Usually, I’d start a piece on marketing with “So, you’ve got a brand new, shiny book to sell”, or something of that ilk. But today, it really isn’t working. I could also begin with “Have you ever watched an hour of TV and noticed how many times we get blasted with the same old garbage?” and I’m sure that would probably ring a few bells too. The truth is, if you’re reading this blog, or have any connection at all to Indie BRAG, you’ve done your research and are already marketing your books in some way. So, there’s little point in my spouting analogies at you, or selling you a marketing solution that only works for a small minority of people. So you have a brand new, shiny book to sell. If you’re an author who sells through Amazon, then all you have to do is find your listing to see just how many others are doing the same. The question is: why is it that X many books are higher in the chart than yours (even if you’re in the enviable position of only having 2 or 3 above you)? Okay, here’s a quick…

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The One that Got Away

By Annie Whitehead B.R.A.G. Medallion Honoree It’s the time of year when students go off to college/university, and I’m casting my mind back to my own student days ... The Anglo-Saxon world which I studied was rather testosterone-fueled: kings whacking seven bells out of each other, male priests sermonising and occasionally fighting, and of course, those marauding invaders. No matter - I loved the subject when I was an undergraduate, and I still do. As much as I enjoyed my studies, I’d had a yearning to be a writer, and during those lectures, plans were forming. Some names and characters interested me more than others, and I’ve been lucky enough to be able to write about them. But one name really stood out. And this person had no testosterone. We were studying one of the first pieces of propaganda; a document designed to show off its subject in the best possible light - a real piece of spin. It was commissioned by this same high-ranking person and the rewards of studying it lie in what it glosses over or hides as much as in what it reveals. Queen Emma:  married to not one, but two kings. Mother to not one,…

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Three Axioms

Martha Kennedy Award winning Author of BragMedallion Honorees, Martin of Gfenn and Savior As a writer, I’ve learned a few pretty obvious lessons, but, as I have the learning style of a crash test dummy, I had to discover them for myself. It comes down to three axioms. Axiom 1 — Give your ardor time to cool before submitting your work. While it’s cooling… Axiom 2 — Get help with proofreading, solicit comments and help from friends, then hire a professional editor. Axiom 3 — Stay true to your work. ********** Axiom 1 — Submit in haste, repent at leisure.  OR…Don’t do anything with your manuscript while you’re in love with it. Love is blind. In 2005, when I finished (and proofread [see Axiom 2]) the initial, complete 500 manuscript pages of Martin of Gfenn, I was so INFATUATED with it that I couldn’t see that it was an overwritten, error-riddled, repetitive nightmare. Four years later, looking at it with clearer eyes, I saw the full horror of my prose. Unfortunately, I’d already queried every possible agent. I decided (as the revised book was exponentially better than the unrevised book) to query them again. Yes, this is the biggest “NO!…

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How to Wrap Your Mind around Selling Books Without Warping It

A Marketing Paradigm By Jo Sparkes -B.R.A.G. Medallion Honoree Being an indie author means freedom to explore, try new things. It means being uncoupled from editor notes and publisher calendars. It also means book sales are your responsibility. So I developed – in the school of hard knocks – my own grasp of marketing. It’s remarkably naïve, possibly dim-witted. But it does keep me focused on the forest after tripping over tree roots. First, I learned to drop any emotions that the word ‘marketing’ stirs. Fears of rejection, failure, and that evil nemesis self-doubt. Honestly, they’re useless here. So if any of these worries sneak up on you, just think of all the truly awful stuff shamelessly hawked at us every day. You know what I mean. Rondo knives, vaginal douches. Superman versus Batman. Now, with emotions gone, let’s define this marketing thing as a three step process. Our goal: tons of people rush to buy our book, avidly read it and then race to tell everyone how wonderful it was. The word of mouth is so powerful that nothing else matters. Sweet, huh? Achieving this nirvana depends on three things. Let’s continue working backwards – which ought to warn…

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Writing what you love to write – and read… by Anna Belfrage

Sometimes, people ask me why I write historical fiction. “Why such a difficult genre?” they ask, which in itself makes me a tad irritated, as historical fiction, IMO, is not a genre – it’s an umbrella under which all other genres coexist. In essence, the “historical” in historical fiction merely indicates that the story is set in a non-contemporary time. It says nothing about the content as such, albeit that many people seem to think historical fiction is defined by blood and gore and thousands upon thousands dying in one battle or other. Yes, that stuff happens in historical novels. It also happens in contemporary novels – it happens in real life around us on a daily basis. There are historical novels that are essentially love stories, there are others that are coming-of-age stories, yet another author delivers a well-crafted thriller set in distant times, and quite a few produce so called cosy mysteries a la Miss Marple. As long as all these very different books are set in the past, they end up labelled as historical fiction – and considered comparable. Obviously, they are not. I write books set in the past because I am something of a history…

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