Mothers who disappear. Fathers who die. Mothers who are in jail. Parents with hidden identities. And children who search and yearn for their parents and try to find, if not them, substitutes. The quandaries do not end there. Husbands with other families. Organized crime threatening safety. Diverse racial and religious identities within families. Florence Osmund is fascinated with identity and family. In The Coach House and Daughters, paired novels, and Nineteen Hundred Days, she disturbs the smooth surface of the life of her characters. She takes away their safety and then allows them to develop the strength to create safety for themselves. She told me, “Characters Marie and Ben are confronted with safety issues, both physical and emotional, beyond what most people face in their daily lives. The level of safety they feel is directly related to the risks they take.” Families ground and direct us, whether we remain or rebel. The complexity of the characters’ emotions reveals choices that were difficult and with relationships that remain complicated. Marie Marchetti, the main character in The Coach House and Daughters, discovers that important people in her life are not as she thought they were, whether her mother, her unknown father or her husband. Ben, 12 years…
