Authors' Chat

Genius is one percent inspiration, ninety-nine percent perspiration. -- Thomas Edison I wake up groggy and roll to my side. It's 3 a.m. Then, something hits me. It's an idea, a glorious nugget of a story that I just have to get down--somewhere--before it is gone forever. I reach over and snatch my phone. Frantically, I scroll to my notes app and begin feverishly pecking away at the small electronic keyboard until the idea is down in a string of misspellings and typos that only I can understand. I roll back over and slip back into my dreams; hopefully the next will be as fruitful as the last. This is a common occurrence for me. Most of the ideas for my books rush into my consciousness in the wee hours of the night. I don't know why. Perhaps it is because my brain is uncluttered from the events of the day, filtered out through rest and deep sleep. I always make sure to have my phone at arm's length because of this. In fact, the idea behind Uncanny Valley, a trilogy I am in the middle for writing, came to me in such a half-roused state. It was a simple…

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We’d like to welcome Award Winning Author Elaine Russell today. Elaine is the author of the adult novel Across the Mekong River and five other books for young adult and children. Three is her book have been awarded the B.R.A.G. Medallion.  What are your writing goals for spring? This has been a very long, cold and wet winter. We are a bit spoiled in Northern California as normally there are brief reprieves of sunny days and warmer temperatures. Not this season. After five years of drought the rain is desperately needed, but it makes bundling up for a walk or bike ride far from appealing. On the bright side, it has forced me to settle in and work on my newest adult novel. It is a treat to have an uninterrupted day of writing, snuggled up on the sofa, listening to the patter of the rain. My goal is to finish this book, which I started two years ago, by the end of April. I completed a first draft back in September and hired a great editor, Jennifer Pooley, to help me think through the story and characters. Armed with her helpful suggestions, I slaved all winter on revisions. This…

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The book writing business can be challenging considering the effort required to produce a good product, significant upfront investment, and a highly-competitive market. And with the invasion of so many self-published authors over the past few years, it’s getting harder and harder to get noticed. In this article, I share my goals as an author and the strategy I used to achieve them. I have been writing novels for seven years and have published five books, the first one released in 2012. My promotion goals, which are tied to my financial goals, have changed over time due to a heightened  knowledge of the industry, the number of books under my belt, discovery of new promotional tools, and an ever-changing publishing industry. The financial goal I set for my first book was to break even—not a very lofty goal, but a reasonable one for a first-time author—and I wanted to do it within six months. Having invested $3,200 in its production (editing, formatting, cover design, press release, etc.), that meant selling either 840 paperback copies, 2,100 Kindle copies, or some combination of the two to break even. Determined not to fall into that large group of new authors who sell less…

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   Stephanie has asked psychological and crime fiction writer Debrah Martin (also writing as D.B. Martin) how she tackles writing a thriller. Here are some of her suggestions. Q: When writing crime fiction, there are usually several characters involved. What is your advice in presenting each character so they stand out? A: Crime writing is really no different to any other kind of fiction writing. The characters have to be credible and likeable – or so wholly unlikeable/intriguing that they still fire the reader up enough to want to find out what happens to them. Spend some time deciding on your individual character’s strengths and weaknesses, their challenges or their nemesis. We all have an Achilles heel. What is theirs? What is it that forces your protagonist to take up the fight – or commit the crime? And how will they ultimately redeem themselves, or ‘face the music’. I usually pick from something like this to set up the main personality traits for each of my characters:   Then I pair, group and counterpoint them between characters. Physical attributes can sometimes complement or highlight personality traits too. Then I think about where they will fit in the plot, and how…

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Regency society organized itself around marriage and family. Adults were identified by their place, or lack thereof, in a married, family unit. Married women were ranked higher and more respected than the unmarried. Married men were perceived as having come into their own and given the esteem and authority that went with such an accomplishment. The plight of the regency spinster is fairly well understood. The local tax or judicial records says it all. Women were typically identified in tax or judicial records by their marital status (spinsters, wives and widows) whereas men were always identified by their occupation or social status. (Shoemaker, 1998) A woman’s identity (and legal existence) was determined by her marital status. Spinsterhood was considered ‘unnatural’ for a woman, even though nearly one in four upper class girls remained unmarried (Day, 2006). They were called ‘ape-leaders’ (for that was what they would be doing in hell as punishment for the unnatural lifestyle. Enough said on that point….) and ridiculed for their failure in the most basic requirements of femininity. However, if a single woman possessed independent means—a fortune of her own sufficient for her to live on, it was possible she could maintain her own household…

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