Crime Fiction

Crime Fiction With Award Winning Author Joe Perrone, Jr.

Today Stephanie interviews B.R.A.G. Medallion Honoree Joe Perrone about his crime fiction work. Joe, when writing crime fiction, there are usually several characters involved. What is your advice in presenting each character so they stand out? In creating the main character for the first book in the Matt Davis Mystery Series, As the Twig is Bent, I already had an actual person in mind for the character of Matt Davis.  I had seen a television commercial with a man who I thought Matt should look like, and I literally drew my character to physically resemble that actor.  I think it helps to have a specific person in mind, or at least have an idea of what your character ought to look like.  More than that, however, it is important to “flesh out” your character with: physical appearance; clothing preferences; likes and dislikes; quirks; level of education; life experience, etc. I actually make a list of my main characters in a separate document, with their physical and intellectual attributes that I may consult many times in the course of writing a book.  Minor characters who are seen only momentarily can be made up on the spot and described as “the mailman,…

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Interview with Crime Fiction Writer and Award Winning Author Liv Hadden

We’d like to welcome B.R.A.G. Medallion Honoree Liv Hadden today. Stephanie has some interesting questions to ask her about crime fiction. Liv, when writing crime fiction, there is usually several characters involved. What is your advice in presenting each character so they stand out? For me, dialogue is a great way to create distinctions between characters. For example, my main character is extremely sardonic, and that comes across in their responses to others via word choice and sarcasm. One of my supporting characters is young, naïve, and extremely positive, so his dialogue reflects that with a lot of “dudes, bros” and exclamations. I also think physical attributes, like a nervous tick, are great ways to define characters. I think it is important for writers to give conflicting reasons for their characters to be criminals. For readers to find that connection-if you will-or to perhaps sympathize with them. How do you pull that off and what is your advice on doing so? Honestly, I think this is easy. Think about real life—all humans are complicated. We all have complex intentions and motivations as well as rich histories. Society does a disservice to humanity by labeling someone as “bad” or “good”. What…

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