Of Sea and Seed

How I Got My Indie Novel into the Library System

by Annie Daylon I had no idea that indie authors could apply to have books purchased by libraries. When the illustrator of my picture book dropped that gem of information my way, I delved into research. At my local library, I spoke with the community librarian who gave me the contact information for the acquisitions librarian. In my application email to acquisitions, I included: a brief bio; cover images of available titles (linked to Amazon); mini-synopses; website link; and contact info. When a couple of weeks passed with no response, I emailed again. Still no reply. Months later, I did a follow up. I phoned the acquisitions librarian who readily explained that she receives scads of email and that she had simply missed my request. She asked me to re-send my application email. I complied. Within a week, a purchase order showed up: two copies of one title—Of Sea and Seed. I was elated! Within a few weeks, my book was in the library system of the British Columbia Fraser Valley Regional Library. Does making an effort to be known by your local library enhance your chances of receiving a favorable response to your application? Possibly. In my case, after…

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Cover Crush: Of Sea and Seed by Annie Daylon

I have said this before and I will say again. I am not a cover designer but I do have an artist’s eye and can agree that cover design plays an important role in the overall presentation of the book and gladly admit I judge a book by its cover. Overall presentation is important to pull a reader in. When I read a story I want to be completely immersed. A grand cover helps that along. Imagery and all-if you will. Today’s cover crush is a story that recently was awarded the B.R.A.G. Medallion. What an evocative cover! Not only that, the title alone can draw a reader in to find out more of the story.  Let’s take a look at the book description:  OF SEA AND SEED launches The Kerrigan Chronicles, the story of three generations staggered by love, betrayal, war, and the effects of a tsunami that ravages the Burin Peninsula of Newfoundland in 1929. Family matriarch, storyteller, and ghost—Kathleen Kerrigan—confesses that heaven does not open its gates to women of her ilk. In her afterlife she is adrift, doomed, like some ancient mariner, to atone for mortal sin by telling repeatedly the story of her downfall. With the lyrical…

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