award winning book

The One that Got Away

By Annie Whitehead B.R.A.G. Medallion Honoree It’s the time of year when students go off to college/university, and I’m casting my mind back to my own student days ... The Anglo-Saxon world which I studied was rather testosterone-fueled: kings whacking seven bells out of each other, male priests sermonising and occasionally fighting, and of course, those marauding invaders. No matter - I loved the subject when I was an undergraduate, and I still do. As much as I enjoyed my studies, I’d had a yearning to be a writer, and during those lectures, plans were forming. Some names and characters interested me more than others, and I’ve been lucky enough to be able to write about them. But one name really stood out. And this person had no testosterone. We were studying one of the first pieces of propaganda; a document designed to show off its subject in the best possible light - a real piece of spin. It was commissioned by this same high-ranking person and the rewards of studying it lie in what it glosses over or hides as much as in what it reveals. Queen Emma:  married to not one, but two kings. Mother to not one,…

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Three Axioms

Martha Kennedy Award winning Author of BragMedallion Honorees, Martin of Gfenn and Savior As a writer, I’ve learned a few pretty obvious lessons, but, as I have the learning style of a crash test dummy, I had to discover them for myself. It comes down to three axioms. Axiom 1 — Give your ardor time to cool before submitting your work. While it’s cooling… Axiom 2 — Get help with proofreading, solicit comments and help from friends, then hire a professional editor. Axiom 3 — Stay true to your work. ********** Axiom 1 — Submit in haste, repent at leisure.  OR…Don’t do anything with your manuscript while you’re in love with it. Love is blind. In 2005, when I finished (and proofread [see Axiom 2]) the initial, complete 500 manuscript pages of Martin of Gfenn, I was so INFATUATED with it that I couldn’t see that it was an overwritten, error-riddled, repetitive nightmare. Four years later, looking at it with clearer eyes, I saw the full horror of my prose. Unfortunately, I’d already queried every possible agent. I decided (as the revised book was exponentially better than the unrevised book) to query them again. Yes, this is the biggest “NO!…

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How to Wrap Your Mind around Selling Books Without Warping It

A Marketing Paradigm By Jo Sparkes -B.R.A.G. Medallion Honoree Being an indie author means freedom to explore, try new things. It means being uncoupled from editor notes and publisher calendars. It also means book sales are your responsibility. So I developed – in the school of hard knocks – my own grasp of marketing. It’s remarkably naïve, possibly dim-witted. But it does keep me focused on the forest after tripping over tree roots. First, I learned to drop any emotions that the word ‘marketing’ stirs. Fears of rejection, failure, and that evil nemesis self-doubt. Honestly, they’re useless here. So if any of these worries sneak up on you, just think of all the truly awful stuff shamelessly hawked at us every day. You know what I mean. Rondo knives, vaginal douches. Superman versus Batman. Now, with emotions gone, let’s define this marketing thing as a three step process. Our goal: tons of people rush to buy our book, avidly read it and then race to tell everyone how wonderful it was. The word of mouth is so powerful that nothing else matters. Sweet, huh? Achieving this nirvana depends on three things. Let’s continue working backwards – which ought to warn…

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Writing what you love to write – and read… by Anna Belfrage

Sometimes, people ask me why I write historical fiction. “Why such a difficult genre?” they ask, which in itself makes me a tad irritated, as historical fiction, IMO, is not a genre – it’s an umbrella under which all other genres coexist. In essence, the “historical” in historical fiction merely indicates that the story is set in a non-contemporary time. It says nothing about the content as such, albeit that many people seem to think historical fiction is defined by blood and gore and thousands upon thousands dying in one battle or other. Yes, that stuff happens in historical novels. It also happens in contemporary novels – it happens in real life around us on a daily basis. There are historical novels that are essentially love stories, there are others that are coming-of-age stories, yet another author delivers a well-crafted thriller set in distant times, and quite a few produce so called cosy mysteries a la Miss Marple. As long as all these very different books are set in the past, they end up labelled as historical fiction – and considered comparable. Obviously, they are not. I write books set in the past because I am something of a history…

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